Flat Wash- basic technique that will help you if you need to cover a large area on the paper.
Dry Brush- when the brush is relatively dry but still has paint on it. Glazing- applying glaze on the same color darkens the value Hue- often refers to a paint of less concentration of pigment Intensity- quality of being intense lifting paint- texture created by impressing fabric or some other material into wet paint and pulling it off after drying Masking Fluid- used to block out areas of watercolor while you paint Palette- a thin board or slab on which an artist lays and mixes colors Scrubbing- a technique for removing paint from a surface with a brush paper towel or tissue in order to correct mistakes Color temp- temp of ideal balck body radiator that radiates light of a color Tint/shade- tint mixes with the white, black mixes for shade Transparent Value- quality that makes water color see through Wet into dry- wet paint applied on dry paper Wet on wet- water on papaer first before paint Wax resist- artwork using waxy crayons , pastels and water color paints Salt technique- gathers watercolor pigments not to shinny Watercolor pper- a paint of which liquid dispersion Blotting- dry usuing an absorbent material Watercolor point- made with cotton and pigments of a water based solution Perspective- the art of drawing solid objects on a 2 dimensional surface
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What I plan to do with this piece is smooth out the rough parts and get the star on the top fixed better. The way I play to finish this piece is by continuing my plan and getting the coil to look better. I also want to add more sea creatures etc on it.
The things I found difficult so far was continuing the coil and blending it. The clay would dry easily so sometimes it wouldn't stick together and the coil would just break. What I found successful so far was that I made the starfish pretty well and it wasnt very difficult for me. My progress up to this point has been going well and I finished what I wanted to and got most done. The slip really helped keep my piece together and not break off.My bisque is happily going the way I wanted it to so that is also a big relief. Even though my piece was mostly coil, I did add some slab around the sunken parts or the parts I couldn't smooth to equally match what I had in mind. Helpful Painting Warmup The most helpful painting warm up would be the sphere. When i did the sphere I really got to understand how to paint more realistically. So it was definitely very helpful. I used the techniques in the painting sphere in my painting, like where the darkness is and where the light hits the objects. Place Represented The place represented in my painting is Paris France, I went there this summer and visited my family and went around the eiffel tower. Whats important about this place is that its one of my favorite cities ever. Also I have some family living there. Difficulty What i found most difficult in the picture I choose was that it was very hard to make the eiffel tower realistic because of all the detail and little designs on it. Also it was hard to make the tower look far away because I was focusing on the grass and water and sky mostly. Most Successful
What I found to be the most successful in my piece was the water and trees. I added different colors and textures to the water and trees to shape the whole piece together and make them specifically stand out to make the whole painting look better and more realistic. My Process In the beginning of my painting I was really concerned because I didn't think it was going to work out at all. The sky was already looking very strange so i didn't think it would look good. But then I remembered that a painting is always ugly before it looks good. So I was patient and just followed my picture and finally after a long 3 days of painting, the piece was finally done and I was happy with the results but I knew that it could be better. Overall I was glad how it turned out. |
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October 2020
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